July: Skim, by Mariko Tamaki (author) and Jillian Tamaki (artist)

Kim is struggling with confusion, depression, occasional social rejection, and the exciting, frightening recognition of herself as a sexual being. Despite the many differences between myself and Skim‘s marvellous protagonist, I felt as if the book was often speaking directly to my own teenage experience.

KIMBERLY KEIKO CAMERON: This guy I don’t know suicided and everyone at my school is stupid and it’s hard to practice Wicca and I think I’m in love with my English teacher. She kissed me.
ME: Oh, honey.
KIM: Being sixteen is officially the worst thing I have ever been.
ME: God, it so was.

Kim is a pudgy Japanese-Canadian girl in a private school that, from her depressed viewpoint, appears to be overrun with popular skinny white girls. Her nickname of “Skim” is just one of the ways such girls delineate her difference from them.

Refreshingly, Kim doesn’t particularly want to be accepted by the cool kids, but she’s hardly happy to be on the outside. She’s hardly happy about anything.

After the suicide, the boy’s ex-girlfriend fell off the school roof, breaking both her arms – maybe on accident, maybe on purpose. Now the popular girls are frantically trying to pretend depression doesn’t happen, fighting back the spectre of mortality with relentless pep.

Kim is overwhelmed.

But she’s getting by.

Skim is a beautiful, beautiful book, with stark, delicate art perfectly conveying Kim’s emotional complexity and her changing relationships. The wonderful two-page spread of Kim and Ms. Archer kissing is especially good, but Tamaki’s art also conveys smaller moments of wordless action and communication with grace.

Wisely, dialogue does not overwhelm the silences which convey tension or adoration. When words do appear, the language reads as authentically teenaged, sometimes meandering inarticulately around a point, and sometimes diving to the heart of the matter with devastating directness. Kim’s thoughtful, metaphoric diary entries are a particular highlight.

For a book that deals uncompromisingly with the darkness adults would often like to pretend doesn’t genuinely afflict teenagers, Skimis also cautiously optimistic. The story doesn’t end with everything perkily fine and dandy for Kim, but offers realistic hope that, eventually, she’ll be as okay as people get.

Basically, I want to thrust this book into the hand of every teenage girl, in the hope that it might speak to them as it did to me.

Violence: Suicide, and a fair amount of non-physical, psychological bullying.

Sexualised Violence: None.

Gender: Most of the characters are female.

The Bechdel-Wallace Test: Absolutely passes.

Minorities: Kim is one of a few Asian-Canadian characters – this is explicitly dealt with as part of her isolation, rather than being overlooked by the creators. Her relationship with her teacher is sensitively portrayed, as is her depression, which receives no magical cure.

June: Judge Dredd: The Pit, by John Wagner and Carlos Ezquerra, Colin MacNeil, Lee Sullivan, and Alex Ronald

“Dumping ground for every misfit and foul-up in Mega-City One… and that’s just the Judges!” So proclaimed the cover of 2000 AD Prog 970 when the story started, and it’s a pretty good summary. Poor Dredd has been sent to take over ‘the Pit’ and clean it up, following the suspicious death of the last Sector Chief – but both the corrupt Judges and the all-powerful Frendz mob are ready to push back hard. What he needs is a few good Judges to help him out, but what he’s getting are men and women with all sorts of problems lurking just under the surface: affairs, nerves, aggression, the odd serial killer…

At the time, this was a departure for the strip. There’d been long, long stories before, but this was the first of the “mega-epics” to be a Marvel/DC style soap opera. The large supporting cast get just as much time in the spotlight as Dredd, their problems are mostly ‘domestic’ in nature, and their subplots stretch out through the story. Wagner lets us get to know his cast of Judges before, inevitably, the twists start and everything becomes extremely violent indeed. The story is extremely well structured, starting off slow and quickly escalating, juggling lots of subplots and concepts; then it slows down to set up a calmer status quo so it can blow it all up in the final, explosive siege of Traffic Substation Alamo. (“Just a minor problem,” barks Dredd as the whole building is on fire…)

This also serves as a good, entry-level story for the strip. Dredd’s first bit of dialogue is “You may have heard of me”, and if you have heard the basics – toughest cop in a dystopian future dictatorship – you don’t need to know anything else. How Dredd’s world works and the tone of the strip – quickly switching from being serious to black humour to absurdity – is fed to you.

The one problem is the art: while all four of the artists are doing good work, their styles are quite different and at times the story will switch artist between cliff-hangers. It can get jarring. This is also a story from the mid-90s, when early Photoshop effects could first be put into art, and boy are they at times. The primary artist, however, is Carlos Ezquerra and even the odd dodgy effect is not enough to stop him being a brilliant artist. His attention to detail – the scenery, the background characters with their distinctive looks and expressions – never comes at the expense of kinetic, exciting action scenes.

And if that’s not enough for you, the head of organised crime is a beatnik. (“Judges! Bummer!”)

Violence: Quite a lot: fists, blunt instruments, blades, firearms of various types, and explosions. Blood is constant. (Hey, it’s Judge Dredd)

Sexualised Violence: Judge DeMarco is captured and menaced, but the situation is not sexualised.

Gender: Three of the main supporting cast (DeMarco, Garcia, and Calisto) are women, with distinct looks (uniforms aside) and personalities. Female Judges (straight and corrupt), civilians, and background criminals are repeatedly present. Two mid-ranking admin figures and deceased Sector Chief Rohan are all women (and a middle-aged one in Rohan’s case).

The Bechdel-Wallace Test: Passes, though scenes are only occasional.

Minorities: Supporting characters Giant, Egan, Guthrie, Hoffa, Struthers, Patel, and Patel’s father (Dr Chuck Patel) are all non-white. Judge Garcia is possibly intended to be Hispanic. There are numerous non-white Judges, civilians and villains in the background.

– Review by Charles Ellis

May: Batgirl, by Bryan Q. Miller, Lee Garbett, and Trevor Scott

It may seem a little disingenuous to write a review on Girl-Wonder.org praising a book starring Stephanie Brown.  After all, Stephanie’s death was the catalyst for the founding of this whole site.  And yes, the fact that she has returned (well, been retconned) from the dead and become an accepted (well, mostly) member of the Batfamily, presumably indefinitely (well, we’ll see what Bruce says when he gets out of his timecave or whatever) does carry with it a certain note of triumph – not of “ha ha, we won,” because it shouldn’t be a battle of sides, but because protests that a female character was slaughtered to further the story of the men around her were heard and registered.  As a Steph fan (not everyone at G-W.org is!), I am especially pleased to have her back.

But more important than Girl-Wonder’s relationship to Steph is the fact that Batgirl is a really good book.

Brian Q. Miller’s writing is consistently entertaining.  His Stephanie Brown expects no support and no praise, and is gobsmacked each time she receives it, but she never loses her determination or her sense of humor, making her an endearingly bright spot in the bleakness of Gotham.  His Barbara Gordon is flawed and struggling, but still witty and scary-competent and doing her best to keep her personal issues with Batgirl separate from her work mentoring Steph.  The development of their relationship is one of the best things in the comic.

In fact, all of the relationships are handled wonderfully – Steph’s and Babs’s touchy ones with Tim and Dick respectively, Babs and her father, both women and new pretty-boy detective Nicholas “St. Nick” Gage.  One of my favorite moments in the comic came when what seemed to be building to an annoyingly cliché catfight between Steph and one of her classmates over a boy was turned on its head when the boy turned out to be gay and the female classmate just very protective.  Take that, myth of female competition!

The art is uneven, going back and forth between pages by Lee Garbett and Trevor Scott (though Scott has now been replaced by Jonathan Glapion), but none it has been actively bad or oversexualized the characters.  If Cassandra Cain would only return as a regular, as it was rumored she would when the series began, Batgirl would be just about perfect.

Violence: The usual amount for a superhero book, but nothing overly gruesome or gory.

Sexualized Violence: None.

Gender: Two female leads, with a co-ed supporting cast (Jim Gordon, Nick Gage, Wendy (of Wendy and Marvin fame), and Steph’s mom make the most frequent supporting appearances).  Nice!

The Bechdel-Wallace Test: Passes with flying colors.

Minorities: Pretty much none.  Bring back Cass Cain!

Parents May Wish to Be Aware: Not much to warn for.  The audience is probably tweens and up.

– Review by Jessica Plummer

Apologies for the Mess!

Dear Girl-Wonder.org Members.

As people have noticed, the site was recently infested by an endemic malware problem. After trying a bug-swatting based approach for a while, it became apparent that this approach was too reactive, and allowed for malware to persist until discovered, which is basically bad.

Because our site is very large, rooting it out instance-by-instance was becoming prohibitive, so what Betty has done is create a local (to her machine) mirror of the site which can be checked against the production (live, on the internets) version, and discrepancies may be assumed to be malware.

Unfortunately, Dreamhost’s backups left something to be desired, so some of the extensively modified php files which were responsible for look-and-feel have gone missing and need to be recreated. The good news is that this shouldn’t be too hard; bad news is that we’re going to be discovering missing php files for a while.

We apologise whole-heartedly for the mess, and would appreciate your assistance in getting the site back on its feet. In particular, if you have civicrm experience and would like to help, please contact Betty at sturdyandserviceable@gmail.com .

If you notice any issues not listed below, please let us know.

Known Problems:

– Forums users’ icons have been deleted, and will need to be re-uploaded by the users

– Blogs have had their themes deleted – all the content is there, but possibly inaccessible. Blog owners can fix this by logging in and installing a new theme. Some links/categories may be messed up in the process.

– Several links on the front page are broken.

– Sub-domains (xxxx.girl-wonder.org) should be unaffected.

Once again, we apologize for the problems, and thank you for your patience.

Benefit Auction For Webcomic Creator Karen Ellis Now Open

In mid February, Karen Ellis, the creator of popular diary webcomic Planet Karen, was made homeless and nearly possession-less by a fire in the apartment above hers, which resulted in the tragic death of the occupant.

The comics community rallied, and thanks to generous donations of money and equipment, Karen was able to replace some of her art supplies and find a new place to live. Her gratitude and determination are recorded on Planet Karen, but she is still unable to replace many of her possessions.

Girl-Wonder.org is delighted to announce a fundraising auction for Karen, thanks to the generous donations of the comics community. The auction runs until 30th March, and includes items as diverse as an “incredibly wordy” Wonderella giftset, handbags, jewellery, an original Phil Noto Black Widow Sketch, and the original artwork of this post-fire Planet Karen strip.

For more information, please contact Karen Healey at karen.healey@girl-wonder.org.

Benefit Auction For Webcomic Creator Karen Ellis Announced

Karen Ellis, creator of diary comic Planet Karen, lost nearly everything in a fire this weekend.

The apartment above her own caught fire on Sunday night, and while firefighters fought the blaze for three hours, tragically, the occupant was killed. Karen is physically fine, but most of her possessions, including books, clothes and drawing supplies, are ruined beyond repair. The apartment itself has suffered so much structural damage that she’s also been made effectively homeless. (See this comic for an account in her own words.)

Karen is a valuable part of the webcomics community. If you can, please consider making a contribution to her Paypal account to help out. Just head to http://planetkaren.girl-wonder.org/ and hit the “Donation” button in the right-hand column. Every donation, whatever its size, really counts!

Girl-Wonder.org, the organization that hosts Planet Karen, is also planning a fundraising auction on Karen’s behalf. If you have items you think you’d like to donate, please contact Karen Healey at karen.healey@girl-wonder.org for details.

The Baby-Sitter’s Club, by Anne M. Martin and Raina Telgemeier

The first comic of 2008 is brought by Jessica Plummer, GW Board member, and one of the writers of the new GW blog Sequential Smarts, a resource on comics used in the classroom.

Well, it’s a new year, and what better way to kick it off than with a blast from the past? January’s book of the month is The Baby-sitters Club Graphix, a series of four graphic novels based on Ann M. Martin’s hit kids’ series (specifically, Kristy’s Great Idea, The Truth About Stacey, Mary Anne Saves the Day, and Claudia and Mean Janine). Adapted and drawn by Raina Telgmeier, the books center around a group of tween girls and their babysitting business.

If you’re a typical child of the 80s and early 90s, you remember the setup of the series: when Kristy sees how hard it is for her mom to find a sitter for Kristy’s little brother, she organizes her friends Mary Anne, Claudia, and Stacey (and later Dawn) into a babysitting club to enable parents to reach a whole bunch of sitters with one phone call. Babysitting forms the background to all of the books, but these four graphic novels, taken from the earlier and less ridiculous volumes of the original series, are really about Kristy learning to deal accept her single mother dating and her family changing, Stacey coping with diabetes, Mary Anne finding her own hidden strength, Claudia forging a stronger relationship with her sister as their grandmother falls ill, and, above all, friendship.

I was a big BSC fan as a kid, and these books retain everything good about them (except, alas, for the ludicrous 80s fashions) while jettisoning some of the goofier aspects of the series. The first is rather awkwardly paced, but by the second  seems to have found her rhythm. And the art! It’s cute, and energetic, and distinctive. The characters are all easily distinguishable – a sadly rare feat in a book starring all girls! – and dress with their own distinct senses of style, which I’m sure all grown-up fans of the series remember as a major draw. Everything about it, from the expressions to the layouts, is fantastic. It takes me twice as long to read these books as it normally would because I’m spending so much time gazing rapturously at the art. All in all, these are great, fun reads for both adult fans of the old series and kids meeting the Baby-sitters Club for the first time.

Violence: None.

Sexualised Violence: None.

Gender: All four protagonists are girls with distinct personalities, and none of the plotlines revolve around boys.

The Bechdel-Wallace Test: Passes with flying colors!

Minorities: Claudia, one of the four protagonists, is Japanese-American, as is her entire family. The original series consisted of almost entirely white characters, so Telgemeier replaced a couple of white babysitting clients with new black characters to make the series a little more diverse.

Art Et Cetera: Adam Gallardo and Todd Demong

Today’s donations come from Adam Gallardo (writer) and Todd Demong (artist) of 100 Girls, which was recently reviewed on Girls Read Comics! Gallardo is best-known for Star Wars: Infinites — Return of the Jedi, 100 Girls and Gear School; an artist and animator, Demong‘s work included Class of the Titans, Star Wars Tales and 100 Girls.

They have jointly donated two packages: a piece of original artwork from 100 Girls with a signed copy of the comic; and one copy each of 100 Girls, Gear School, and Star Wars: Infinities — Return of the Jedi, all signed by Gallardo. The first package will start at $100, while the second will begin bidding at $33.

Looking for other donator posts? Check the Auction page for the latest updates!

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