GWOG

October 11, 2010

I Hate Luann So Much

Filed under: Uncategorized — Poison Ivory @ 6:59 pm

When I was a kid, I really liked the syndicated comic strip Luann by Greg Evans. There are very few female protagonists in the funnies, and as a kid I couldn’t really relate to Cathy or Sally Forth. But Luann was an age I would be fairly soon, and like with Archie Comics, I looked at her pleasingly cartoony adventures as a guide to the whirlwind of romance, adventure, and hilarious misunderstandings I would enjoy as a teenager.

So it’s kind of a shame that the comic regularly renders my adult self incoherent with rage.

It’s hard to know where to start in listing the problems with the way Luann handles gender, but let’s start with the very basic: it contains some of the most brain-numbingly hackneyed gender essentialist humor I’ve ever seen. Now, the comics page is rife with “men are from Mars, women are from Venus” jokes, from the acerbic The Lockhorns to the gentle Hi and Lois, but that doesn’t excuse Luann. Nine out of ten Sunday strips return to the same tired well:

Women like pink! Men are dumb (but practical)! The sexes are forever a mystery to each other! This dated perspective does neither gender any favors (and of course presupposes that everyone in the world is cisgendered, so thanks for erasing a significant chunk of the population, Luann).

Then, of course, there’s all the slut-shaming. This mostly happens to Luann’s nemesis, cheerleader Tiffany. (Because cheerleaders are evil, of course. Although she appears to be the only one at their school, which would make anyone a little snappish.)

That’s the school guidance counselor angrily telling a student she looks cheap. Because that’s appropriate.

The whole thing is especially unpleasant because Evans lavishes so much attention on his rather adorable drawings of Tiffany in her not-particularly-revealing outfits. As Josh Fruhlinger of the Comics Curmudgeon put it, “it’s OK to include a lovingly detailed drawing of a teenage girl in a bikini in the comics, as long as you call her a tramp.”

Anyway, you’re wasting your breath, Miss Phelps. Tiffany was even slutty at eight years old:

But lest we think it’s only Tiffany’s navel that is the subject of hand-wringing horror, Evans makes sure to also slut-shame his protagonist:

You hear that, teenage tramps of the world? Your bared navels are not just tacky, they are immoral!

Then, of course, there are the straw feminists:

And did you know about all the “guy-bashing” that occurs in this matriarchy in which we live? It’s a serious problem!

But as might be imagined, the strip is at its worst when it delves into romance. Or, uh, “romance.” Like the time the school miscalculated the funds needed to send Luann’s class to Washington, D.C., and told Delta, the most civic-minded student in the school, that she couldn’t go. Enter Elwood, the creepy teenage millionaire with the hots for Luann. He offered to pay for Delta’s trip if Luann would go on a date with him. Luann’s friends pressured her into accepting, because of course a real friend would become a literal prostitute, albeit a G-rated one, for a friend, right?

“Now it’s time for you to pay.” *SHUDDER SHUDDER SHUDDER*

Or how about the time that Luann’s older brother Brad and his best friend TJ decided it would be hilarious good times to have TJ aggressively hit on Luann constantly, while he was living in her house?

Eventually Luann’s dad got wind of it and made the boys apologize, sparking a rare moment of reflection from Brad:

Oh, right – being ambushed in safe spaces like her own bathroom by an adult man she thought she could trust was actually scary and upsetting for Luann! Wait, no, sexual harassment is flattering, isn’t it? Oh, TJ, you lovable scamp!

But by far the worst of Luann’s paramours is Gunther. Gunther is the nebbish nerd who has been in love with Luann forever. He’s a quintessential Nice Guy, and not in a good way – the kind of guy who thinks that his pathetic, passive aggressive stalkerishness will eventually make Luann see that they are Totally Meant to Be:

I’m sorry, show me one girl who finds “I spent an inordinate amount of time sexily Photoshopping your face” charming and not horrifyingly creepy, and I will give you five dollars.* Gunther gives me the serious skeeves, and the really tragic thing is that he is transparently set up as Luann’s eventual soulmate:

Never mind what Luann wants, even though it’s ostensibly her story. Dogged persistence has to count for something, right?

I’m especially bothered by Luann’s apparent need to coddle his feelings all the time, even when he’d being blatantly passive aggressive and needy:

Yes, Gunther, everyone loves you. Especially when you’re being a jealous creep:

“Your costumes cover my whole body.” Excuse me, I have to go wash now.

Confidential to Greg Evans: Women do not exist to soothe the tender wounded feelings of vulnerable men. They’re allowed to actually want things for themselves. They are not rewards.

Oh wait, I forgot what comic strip I was reading. This is, after all, the strip that contains the epic romance of Brad (Luann’s schlubby brother) and Toni (the unattainable goddess). Brad and Toni first met while they were both training to be firefighters, and Toni was dating the musclebound Dirk. Oops, I’m sorry, I mean she belonged to Dirk:

You’ll note that even though Toni takes offense at the word “property,” Brad doesn’t. Hush now, Toni, the men are talking.

It’s cool, though, eventually Brad will win the game of Toni’s Life!

Eventually, of course, after Brad got a restraining order against Dirk and lurked passive aggressively around Toni for a few years, they wound up together. And these two epic romances met when Gunther asked Brad for advice in wooing Luann:

Note how Brad shames Toni for her foolish past in front of this random teenage boy. Girl, you got yourself a catch!

Incidentally, “You can’t understand why she’s so blind to your sincere love” pretty much perfectly sums up the intense creepiness of the Nice Guy archetye.

Anyway, the reason this all boiled over on me, resulting in this outrageously long post, is because of the current plotline. You see, Dirk is back! He’s out of jail, where he was placed for assaulting Brad after repeatedly violating his restraining order, and wants to see Toni, who broke up with him because he was verbally and emotionally abusive to her, and who he then proceeded to stalk. Even worse, he’s got a new job as the trash collector for their neighborhood! Naturally, our heroes call the cops.

Ha ha, no, just kidding, this is Luann. What actually happens is this:

The good guys of the strip place a teenage girl in the path of a proven stalker with a criminal record, a history of violence, and anger management issues, and tell her to lie to him The amount of sheer dangerous stupidity at play here is breathtaking. In any real world situation, Tiffany would be lucky to get out of there with a few swears thrown her way.

And yes, I realize this isn’t a real world situation. It’s a comic strip. But if Greg Evans doesn’t believe he has a responsibility to show the appropriate way to deal with a violent stalker – by calling the cops – he could at least have the courtesy not to attempt to make comedic hay out of it.

Ha ha, Brad and TJ are putting Tiffany in serious danger! It’s okay, because she’s a slut! Good one, Greg!

*sigh*

I hate Luann so much.

-
*No I won’t.

October 10, 2010

Apropos of Proportion

Filed under: Making Comics,Uncategorized — Winterbyrne @ 2:27 am

You know what I hate? When quizzes and midterms pile up in the same week, because then everything else does as well. Apologies for the delay, my sweet little honeyclusters!

Anyway. Onto proportion.

Proportion is about things having the proper relationship to other things. Drawing–and seeing–is all about relationships.

Put away thoughts that you are drawing something. You’re not. You’re re-presenting something according to your spatial awareness–you are never really reproducing something, just producing an interpretation. This is significant, remember it.

We reason by relationships of light, shape, size. If something we know to be small appears very large in our field of vision, it is reasonable to assume it is close to us. If something we know to be large appears small, we can assume it is far away. Spatial sense grows more precise the more it is stressed–the more faces we see, the more we move in spaces and interact with objects, the better our spatial reasoning gets.

So all this technical stuff? Gets easier. But you do have to make some choices.

Choose Your Rubric

The books I listed in my previous entry say different things, and so does conventional wisdom.

Some people insist the head is 8” from chin to crown, others say 9”. There are problems with this that must be overcome. The biggest–whose head? A man’s head? A woman’s head? Go to a hat store–hats come in different sizes, because heads do. A small person probably has a smaller head than a big person.

Another problem–if the head is 8”, then how many heads tall is a figure?

And what am I talking about by “heads tall”?

Figure Proportion by Relative Measurement–I Swear it’s Not that Scary

The Classical Greeks divided the figure using relative measurements, though they were not the first. We know the Egyptians did, but they used the fist–not the spread hand, specifically the fist.

This sounds tricky, but is actually the best way of doing it, because you can scale up and down very easily, and start anywhere as long as you start with a known quantity. This is the basic idea of relative measurement–it is the same no matter what the scale of the depiction is. Giant statue like Il David, wee little action figure–it doesn’t matter.

The Greeks are thought–evidence is sketchy–to have used the head. Their idealized figures are about 7.5 heads from ground to crown of the head. If they used an 8” head, this is 60”, or 5 feet. If it’s a 9” head, this is 67.5”, or about 5’8”. Hopefully, you see the problem–which is it? Eight inches is a significant difference among people.

Next, we run into another question. How many heads? The Greeks probably thought 7.5 was majestically tall, because back in the days of cholera, habitual malnourishment and total lack of antibiotics, people were short. Tiny! Even in the Victorian era, 5’5” was considered quite tall for a woman. Nowadays, that’s average to small. So we use a different number for our ideal figures. Actually, we have several.

Modern idealized proportions tend to fall into 3 categories.

  • “average” — at 8 heads, this figure ranges between 64”-72”, or about 5’4”-6’. The lower number, obviously, is the 8 inch head.
  • fashion — at 8.5 heads, this figure tends to run long in the legs especially, ranging between 68”-76.5”, or about 5’8” to 6’4”. Here we start running into The Problem. More on that later.
  • heroic — at 9 heads, this figure is very tall, and has a massive body with small hands and head. Basically, this person is a bear.

The Heroic proportion shows the greatest degree of the Problem.

The Problem is that by reducing the size of the head and hands compared to the rest of the body, you sacrifice expressiveness for power. If you’re trying to make stories about people, sacrificing expressiveness makes it harder for people to relate to your characters. It makes storytelling harder.

If you look at animated characters, the really expressive ones are designed to have larger hands and head–proportions more in common with a child or baby. In order to engage people emotionally, they need to be able to be able to read your characters’ faces. Massive characters will need different “cinematography” to correct for that. Also, massiveness is not necessarily the best option, even for hardboiled or superhero stories.

Individual Characteristics

Me and my honey show how the proportion system is a bit squiffy.

I am 5’8” (68”), and my honey is 6’2” with a bigger head (74”). When we stand next to each other, there’s a 6” difference. OK. When we sit down, I am 2” taller. What can we conclude? That difference is getting eaten up somewhere, namely my legs are shorter and my torso is longer. This is not consistent across gender–that is, not all women have long torsos. Those are individual characteristics.

Drawing these differences requires being able to find certain measurements on a body. This is easy once you get the hang of it, and remember what I said about starting with a set scale. If we know the figure’s height, and the length of the head from crown to chin, we can easily solve all of the other distances.

So, I will demonstrate this by deciding to draw a young woman and a young man. The young lady is 5’4” (54”), with an 8 inch head. This means she is 8 heads tall. The young man is 5’, with a 8 inch head. That makes him about 7.5 heads.

First, I’ll indicate 8 head-heights, and then divide these in half. Because I have a set scale, these half-units are 4”. This will make it easier to measure the other figure.

Here, the head heights and half-heights are marked in orange and blue respectively. Click to embiggen.

Here, the head heights and half-heights are marked in orange and blue respectively. Click to embiggen.

Now, I’ve decided on the general body type of the young woman with a loose gesture drawing, and that of the young man. I’ve decided on their builds (slight) and the distribution of their measurements. I know he is 4” shorter than the young woman, so those 4” divisions are coming in handy–I know the upper limit he should reach.

Very, very loosely sketched in figures. Click to embiggen.

Very, very loosely sketched-in figures. Click to embiggen.

And more complete (but still rough) figures. They’re both quite slight, and I made his torso a little longer than the usual models.

Very loosely-indicated figures, with lots of cleaning up to do. Click to embiggen.

Very loosely-indicated figures, with lots of cleaning up to do. Click to embiggen.

This task is easily accomplished by creating a grid, by hand or in a digital art program. Just keep in mind what measurement you’re using.

My next blog entry will focus more on individual differences, but I have created a feedback thread in our Creator forum, so if anyone has any questions or requests for topics, that’s the place to ask!

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