GWOG

September 27, 2010

Strips out for the lads

Filed under: Uncategorized — CharlesRB @ 2:11 pm

So the possible revival of British comics has come, again (it’s not been that long since The DFC was the great hope and then died before a year was out). And this time, Mark Millar’s running the show and he’s brought his celebrity mates Frankie Boyle, Jonathan Ross, and Hit Girl and Kick-Ass with him.

On the face of it, this is a good thing: British comics could do with a successful revival, and the twin tactics of celebrities and a film franchise could see Millar’s magazine succeed. One problem though. He’s trying to make it like a lad’s mag, similar to tits-and-trivia titles Nuts and Zoo that dominate UK newsstands. And he’s quite upfront about this, and it’s a valid approach to take if you want to appeal to teenaged boys who don’t read comics (and by all accounts it’s selling gangbusters).

Except… well, the magazine is called CLiNT. Spelt exactly like that. Cos then it likes like a swear word based around vaginas, see.

And that’s going to amuse the target audience, but it’s a massive “up yours” to, say, the 50% of Britain who don’t have willies. The name is a clear barrier. And if you get past that, then you’ll find several strips with only two female characters (Hit Girl and the journalist in Ross’ Turf; admittedly both are lead roles) and then… then you find the text features. They’re going for the lad’s mag feel too, and include features like a list of Hot Mums on telly, breathless descriptions of how the Manson Family planned to kill some people, and a list of embarrassing things said during sex. One such thing was about a woman yelling “Goldfish!” during rough sex, because that was the safe word with her last boyfriend – because rape, of course, is hilarious.

Now, yes, CLiNT is going for a very specific market. That doesn’t mean it has to be so unwittingly hostile to others, and this is very “you are not meant to read this” stuff: this has been noted by female comic fans on the 2000 AD forums up to female panellists and Kirsty Wark on the BBC’s The Review Show. “The Mighty Tharg” (or Matt Smith – no, not that one – as he’s otherwise known) at 2000 AD has also stepped in, using the editorial for prog 1703 to state “I’d hope that anything from the House of Tharg was never so exclusive as to make a portion of the readership feel sidelined… I like to think that I’m an equal opportunities Thrill-creator, crafting tales for all to enjoy, but let me know if you feel there’s something missing”.

Obviously, this is a clear touting of “look, we’re better than a competitor, keep buying us”, but the point is still clear besides that, and 2000 AD is also a primarily male-read comic. (It’s also unusual to see an editor outright say “tell us if we’re not doing representation properly”) The one time it flirted with similar territory was with the lads mag oriented “Women Just Don’t Get It” ads… which, as covered in the book Thrill-Powered Overload, were foisted on it by then-publisher Egmon Fleetway, much to the horror of the editors who pleaded with them not to run the ads. (Sales went down after)

Millar has since stated he intends to make a girls comic along the same lines as CLiNT, but why does the current title have to raise barriers? And, based on it, can Millar and Titan Magazines be trusted to pull off a sister title? And that’s unfortunate. I want to trust him, because most of what he’s done with CLiNT makes tactical sense. I want him to succeed in his admirable goal of causing the UK industry to be as big as it was when he started out, and for other companies to create their own comics to match Titan’s Millar titles. I want, basically, lots of comics around for lots of people, some of which I’ll enjoy and others that others will.

But I don’t want something waving a “it’s not FOR you” flag at a mass of the population. It doesn’t strike me as the right way to do things.

On the plus side, we are already seeing other publishers start their own comics: coming up next month is Strip Magazine, with intentions to be “general audience”, from Print Media Productions. And PMP are also planning European-style comic albums, their first being a female-led steampunk adventure called The Iron Moon. With luck, CLiNT’s opened the door to, well, better comics than CLiNT, and if it has I’ll have to eat a lot of the words I just typed.

September 13, 2010

Buyers’ Remorse

Filed under: Uncategorized — Poison Ivory @ 8:30 pm

I’ve had this sort of conversation a lot recently:

Lian Harper, a little girl of color and a unique and charming character, is killed off in a terrible comic book to forward the angsty storylines of her white father and grandfather.
Friend #1: Man, I’m so glad I don’t read DC comics anymore.

Right after an excellent article points out DC’s unfortunate tendency to kill off, limbo-fy, or otherwise sideline their non-white (and female) legacy characters in order to bring back their white, male forebears, non-white legacy character Ryan Choi is killed off to clear the way for his predecessor, white Ray Palmer.
Friend #2: I’m really glad I don’t give DC my money.

Ian Sattler makes one of the most mind-bogglingly ridiculous statements I have ever heard a DC representative say, dismissing accusations of inadvertently racist storytelling with an argument debunked by a fictional character in a comic published by DC that came out forty years ago.
Friend #3: This is why I stopped reading comics.

You may have noticed that these aren’t so much conversations as declarative statements by my friends. That’s because my part of the conversation consists mainly of uncomfortable, guilty silence. Because I also find all of these things reprehensible. But I still buy comics.

[Note: If this seems unfairly weighted against DC, it’s just because I don’t read very much Marvel. I really have no idea if they’re better or worse at writing women and POC than DC, although I suspect it’s about even.]

Whenever DC does something thunderously hurtful or stupid, I go through the same mental song-and-dance. In order to dramatize this internal process, I’ve enlisted Jaime Reyes and Kara Zor-El to act it out, because why not.

…Thank you, Jaime. Shall we continue?

Jaime: I can’t believe DC did that.

Kara: I can’t believe Jess gives money to a company that does things like that.

Jaime: But she didn’t buy the comic in which That Thing happened. This is exactly why she avoids big company-wide crossovers, where things like That Thing tend to happen. She reads books like mine.

Kara: Your book was canceled.

Jaime: …Oh yeah.

Kara: Sorry.

Jaime: But my point still stands! Why shouldn’t she support books that she does enjoy, where things like That Thing don’t happen, made by creators who don’t do things like That Thing for cheap shock value?

Kara: Because a vote for approval of one book is a vote for approval of the whole company. And she doesn’t always approve of the whole company.

Jaime: But if she doesn’t buy the books that she does like, not only will she not get to enjoy them, DC may take the decreased sales as a sign that their readership doesn’t like those books and cancel them. If she’s voting with her wallet, isn’t it better to vote for books she likes – particularly those with female or non-Caucasian leads – than vote against the comic book industry as a whole?

Kara: Not if she’s broke.

Jaime: Fair point.

Kara: Look, I don’t want her to stop enjoying my adventures, but by purchasing my comic, she’s also providing financial support to an industry that glorifies sexualized violence against women, erases and defames minorities, and employs creators who publicly announce the violence they fantasize about committing against members of organizations to which she belongs.

Jaime: She’s also providing financial support to an industry that tells stories that move her about characters she adores in a medium she considers to be an important aspect of our culture. A medium that, I might remind you, is dying. Is she going to take away her $2.99 and let superhero comics go gently into that good night?

Kara: …That last line sounded really out of character for you.

Jaime: Well, I’m really just a figment of Jess’s imagination.

So, uh…do you guys have a solution for me?

Jaime: Nah.

Kara: I got nothin’.

Since I, like Kara and Jaime, have no solution for my dilemma, I usually just wind up doing what I’ve been doing – buying comics that feature characters I love and creators I respect, while avoiding the type of books that tend to lay waste through swathes of C-listers and the creators who have produced work I find offensive. But I feel guilty about it. I could stop buying comics, but I’d probably feel guilty about that too. (My mother’s Jewish and my father’s Catholic. I’m really good at feeling guilty.)

So what do you think, folks? Am I the only one who goes through these internal trials? As comic book fans, do we have an ethical responsibility to buy or not buy comics? Am I making a mountain out of a molehill? Would Tiny Titans be improved by melodramatic Dylan Thomas paraphrases for no reason?

Answer: probably.

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